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arbekaПро нище бродов
"The Hostage is a 1966 Crown International low-budget motion picture starring ...
((Это из Вики. По Чехову, если ружье висит на стенке, то...
Если в педии упомянуто, что фильму делали на последние медные баксы, то, казалось бы, эти баксы должны быть указаны.
"low-budget" - это скока??
Ан нет.
И, думается, не потому что неприлично щитать в чужом кармане.
Вижу, как минимум, 3 объяснения.
- "low-budget", это синоним "плохо сделано", на коленке, в гараже, "Трехгрошевая опера", "уличная женщина".
- девальвация. Нет смысла писать, что 100 тыщ. баксов - это нищеброд, если не указывать год. В 1960, это одни деньги, в 2020 - совсем другие.
- не рыночный продукт. "low-budget", это не только гроши актерам и подержанная камера в трясущихся лапках.
Это, отсутствие рекламы. Которая, двигатель торговли. В смысле, право на жизнь фильм имеет. Но только после своей смерти.
Когда массового зрителя он не получит.))
"The Hostage is a 1966 Crown International low-budget motion picture starring ...
((Это из Вики. По Чехову, если ружье висит на стенке, то...
Если в педии упомянуто, что фильму делали на последние медные баксы, то, казалось бы, эти баксы должны быть указаны.
"low-budget" - это скока??
Ан нет.
И, думается, не потому что неприлично щитать в чужом кармане.
Вижу, как минимум, 3 объяснения.
- "low-budget", это синоним "плохо сделано", на коленке, в гараже, "Трехгрошевая опера", "уличная женщина".
- девальвация. Нет смысла писать, что 100 тыщ. баксов - это нищеброд, если не указывать год. В 1960, это одни деньги, в 2020 - совсем другие.
- не рыночный продукт. "low-budget", это не только гроши актерам и подержанная камера в трясущихся лапках.
Это, отсутствие рекламы. Которая, двигатель торговли. В смысле, право на жизнь фильм имеет. Но только после своей смерти.
Когда массового зрителя он не получит.))
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и снятая почти без денег
Date: 2022-10-22 08:07 am (UTC)Точной суммы ... не существует
Date: 2022-10-22 08:14 am (UTC)Точной суммы, после которой фильм можно назвать малобюджетным, не существует, она широко варьируется в зависимости от киножанра и страны производства.
no subject
Date: 2022-10-22 08:15 am (UTC)no subject
Date: 2022-10-22 08:17 am (UTC)no subject
Date: 2022-10-22 08:19 am (UTC)«Микробюджетным» называется фильм, на создание которого было затрачено лишь несколько тысяч долларов или меньше. Например, в картине «Музыкант» (1992) все сцены были сняты с первого дубля, так как на вторые не хватало средств: бюджет ленты был 7225 долларов. Несмотря на это, фильм имел успех как у критиков, так и в коммерческом плане и положил начало карьере молодого режиссёра Роберта Родригеса[19]. Одним из самых успешных микробюджетных фильмов стала бенгальская серия из трёх лент под общим названием «Трилогия Апу[en]» (1955—1959). Бюджет первой картины серии, «Песнь дороги», составил менее 31,5 тысячи долларов, сборы — 21 миллион долларов, спустя десятилетия все эти три фильма находятся в «списке лучших фильмов[en]»[24][25][26].
снят на мобильный телефон
Date: 2022-10-22 08:22 am (UTC)no-budget film
Date: 2022-10-22 08:24 am (UTC)No-budget films are financed out-of-pocket by the director, who typically takes on multiple roles, or else uses a crew of volunteers.
no subject
Date: 2022-10-22 08:26 am (UTC)In 1960, Ron Rice released The Flower Thief, starring Taylor Mead, to a positive reception. The film was produced for less than $1000[1] using black-and-white 16mm 50' film cartridges left over from aerial gunnery equipment used during World War II.[2] In the early 1960s, filmmaker Jack Smith used discarded color-reversal film stock to film Flaming Creatures.[3] John Waters' 1964 black-and-white film Hag in a Black Leather Jacket reportedly cost $30 to make, though Waters has said that he stole the film stock.[4] Craig Baldwin's Flick Skin is entirely made from discarded film, or "found footage", retrieved from a projectionist's booth.[5] The No Wave Cinema movement of the late 1970s, represented by filmmakers such as Vivienne Dick, produced many notable no-budget films shot on Super 8,[6] such as Beauty Becomes The Beast. In 1993, Sarah Jacobson's first film, I Was a Teenage Serial Killer, was made with "one camera, one tape recorder, one mic and, like, four lights".[7] G.B. Jones took 13 years to film, direct and edit on Super 8mm the feature film The Lollipop Generation (2008), which was filmed whenever she could afford to buy a roll of film.[8] In 2012, first-time director Shawn Holmes shot his debut film Memory Lane with non-professional actors and a budget of less than $300.[9] In the same year, Goodbye Promise became the first film distributed online directly to its audience via a crowdfunding platform.[10] The 2013 sci-fi Hyperfutura by James O'Brien employed found footage married to a live action narrative to create a dystopian future on an inventive no-budget scale.[11]
no subject
Date: 2022-10-22 08:28 am (UTC)No-budget films have often been made in the past using Super 8 mm film or video, but recent films have taken advantage of low-cost digital cameras and editing programs. A notable example of this could be found in the work of ASS Studios, a no-budget film studio founded in 2011 by Courtney Fathom Sell and Jen Miller on the Lower East Side of New York City.[12][13]
No-budget films can be distributed at film festivals that focus on independent and experimental films,[14] such as the Flicker Film Festival[15] and No Budget Film Festival[16] in Los Angeles, The 8 Fest in Toronto, and the Trasharama A-Go-Go festival in Australia.[17] The Polish brothers distributed their no-budget film For Lovers Only on iTunes and relied on social media to publicize it.[18]
Examples of well-received no-budget films are Kevin Smith's Clerks,[19] Christopher Nolan's Following,[20] Jafar Panahi's Taxi,[21] Shane Carruth's Primer, Robert Rodriguez's El Mariachi, Bruno Stagnaro & Israel Adrián Caetano's Pizza, birra, faso, Nabwana Isaac Geoffrey Godfrey's Who Killed Captain Alex?, Jörg Buttgereit’s Nekromantik, and Cyrus Frisch's, Why Didn't Anybody Tell Me It Would Become This Bad in Afghanistan.
Guerrilla filmmaking
Date: 2022-10-22 08:29 am (UTC)Independent filmmakers typically resort to guerrilla filmmaking because they don't have the budget or time to obtain permits, rent out locations, or build expensive sets. Larger and more "mainstream" film studios tend to avoid guerrilla filmmaking tactics because of the risk of being sued, fined or having their reputation damaged due to negative publicity.
According to Yukon Film Commission Manager Mark Hill, "Guerrilla filmmaking is driven by passion with whatever means at hand".[1]
Planning the Low-Budget Film
Date: 2022-10-22 08:32 am (UTC)From Wikipedia, the free encyclopedia
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First edition
Planning the Low-Budget Film is a book by Robert Latham Brown describing the processes involved in scheduling and budgeting motion pictures.
Brown is a 30-year veteran of motion picture production and he uses his experiences on many well-known films to illustrate his points. The book is a wealth of information and covers topics ranging from breaking down a film script to creating a budget, finding locations, dealing with the personalities, and hiring the crew. It also includes a large appendix, glossary, and index.
Scheduling
The books goes into detail describing a shooting sequence and how to recognize one. This is the unit of the script that is used in scheduling. Brown states that a shooting sequence is a piece of the script that has a single action, uses essentially the same cast throughout its length, is contiguous in time, and can be shot in one place. Borrowing on studies of ancient Greek drama, he calls these the four "unities" of a shooting sequence.
The Guerilla Filmmakers Handbook
Date: 2022-10-22 08:33 am (UTC)Jones and Jolliffe have also written three further books on film making. Chris Jones wrote The Guerilla Film Makers Movie Blueprint. Jones and Jolliffe also co-authored the US Guerilla Film Makers Handbook (aka Hollywood Handbook in the UK). Genevieve Jolliffe and Andrew Zinnes also wrote The Documentary Film Makers Handbook. Most recently the trio published the Guerilla Film Makers Pocketbook.
Jones and Jolliffe, the authors have made three low-budget movies: The Runner (1992), White Angel (1993) and Urban Ghost Story (1998). They also run courses in filmmaking through their production company, Living Spirit Pictures. Jolliffe now resides in Los Angeles, Jones now in Ealing, London, where their offices are based (Ealing Studios). Chris Jones recently directed an Oscars shortlisted short film, Gone Fishing, which won awards at over 40 international film festivals.
Film makers who cite the Guerilla Film Makers Handbook and its follow up books as influential to them include Simon Cox, the Writer/Director of Kaleidoscope Man and Allin Kempthorne, the Writer/Director of The Vampires of Bloody Island[4]
Microfilmmaking
Date: 2022-10-22 08:35 am (UTC)Without the backing of a major movie studio, microfilmmakers have to be resourceful in raising even their modest budgets. They often hold regular jobs and fund their film projects out of their own pockets.[2] Many begin the filmmaking process by approaching friends and family for donations of money or services.
Microfilmmakers are often the first to adopt new technologies and techniques, economic necessity leading to creative invention. The lack of money leads them to try new ways of doing things, or invent new techniques. Microfilmmakers were among the first to shoot movies on video.
no subject
Date: 2022-10-22 08:38 am (UTC)As the technology for shooting video advanced, became less expensive, more accessible and simpler to operate, it seemingly reached a point where every family in the US had at least one video camera. This proliferation spurred Francis Ford Coppola's famous comment, “The great hope is that...some little fat girl in Ohio is going to be the new Mozart and make a beautiful film.”[4]
The popularity of YouTube and user-generated video further fueled “do-it-yourself” video production, and the micro-budget film was born. Producers and directors began making full-length feature films on budgets as low as several thousand dollars, usually borrowed from friends and family.
Financing
Stacey Parks, author of The Insider's Guide to Independent Film Distribution, talks about using a wide variety of tools to help micro-filmmakers finance their projects.[5] There are four main ways: private equity, crowd funding, tax incentives, and sponsorship.
no subject
Date: 2022-10-22 08:39 am (UTC)The success of the micro-budget film Paranormal Activity in fall 2009[6] has given a stamp of legitimacy to micro-filmmaking. Given the contraction of advertising revenues in television, the severe decline in DVD sales of major motion pictures (which generally results in approximately 50% of a film's revenues),[7] the reduced markets for Hollywood products internationally[8] and the skyrocketing production costs of some mainstream films, translates into a reduction in movies made.