Пером по воде
Feb. 19th, 2021 10:00 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
arbekaЕсть люди, которые не хотят/не умеют говорить кратко.
Покойный Жак Риветт (фр. Jacques Rivette) один из них.
Не, на его 13 часовой фильм я даже не замахивался.
Но не без интереса пролистал всего лишь 3 часовой (2.50) "Тайная защита" Secret défense
Хихикать можно за 5 мин. до конца.
"первые минут 30-40 кажется, что актерской игры Сандрин в общем-то никакой и нет, однако "...
Покойный Жак Риветт (фр. Jacques Rivette) один из них.
Не, на его 13 часовой фильм я даже не замахивался.
Но не без интереса пролистал всего лишь 3 часовой (2.50) "Тайная защита" Secret défense
Хихикать можно за 5 мин. до конца.
"первые минут 30-40 кажется, что актерской игры Сандрин в общем-то никакой и нет, однако "...
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no subject
Date: 2021-02-19 09:48 pm (UTC)On 20 April 2012, film critic David Ehrenstein posted online that Rivette had Alzheimer's disease.[157] Bonitzer and Marignac later said that he began to feel the disease's effects during the negative experience of filming 36 vues du pic Saint-Loup. Shooting days were four hours on average and Rivette often lost track of what had already been filmed, which lead to the shorter running time than his previous films.[158] In the mid-2000s, Rivette met his second wife Veronique Manniez. They married shortly after he was diagnosed with Alzheimer's. Marignac said that, "Thanks to her, he avoided hospitals and was able to stay home."[159] Rivette and his wife lived in the Rue Cassette section of Paris, where caregivers and doctors attended to him for the last eight years of his life.[3]
Rivette died on 29 January 2016 from complications of Alzheimer's disease at the age of 87, in his home in Paris.
no subject
Date: 2021-02-19 09:51 pm (UTC)Parolini moved to Paris in 1957 and worked as a secretary at Cahiers du cinéma from 1960 to 1962. There she met members of the French New Wave and worked as a set photographer for Jean-Luc Godard, François Truffaut, Jacques Rivette and Agnès Varda, taking some of the most iconic photographs of the New Wave. During this period, she appeared in Jean Rouch and Edgar Morin's cinéma vérité documentary Chronique d'un été (1961).
She later returned to Italy and worked with Pier Paolo Pasolini and Bernardo Bertolucci, with whom she also collaborated as a screenwriter. She also worked with directors Jean-Marie Straub and Danièle Huillet. She was married to Rivette and collaborated on his improvisational scripts on several films, including L'amour fou (1969), Duelle and Noroît (both 1976). They later divorced but maintained their professional relationship.
Parolini was the subject of the documentary L'amica delle rondini (Friend of the Swallows, 2009).[1][2]
no subject
Date: 2021-02-20 02:25 am (UTC)Селин и Жюли у него лучшее
Date: 2021-02-20 06:22 am (UTC)Смог создать атмосферу?
Хороши съемка и монтаж?
В чем причина успеха?
no subject
Date: 2021-02-20 06:59 am (UTC)серьезно
звезды сошлись !
Date: 2021-02-20 07:04 am (UTC)no subject
Date: 2021-02-20 07:16 am (UTC)но это необязательное условие для появления хорошего фильма
но это необязательное условие для появления хорошего
Date: 2021-02-20 07:21 am (UTC)Как понимаю, речь идет не о раскрутке. И не о восприятии фильма отдельным персонажем?
no subject
Date: 2021-02-20 10:38 am (UTC)многие фильмы нечувствительны к возможной перестанов
Date: 2021-02-20 11:51 am (UTC)(В смысле, "Кавказская пленница" решительно отличается от какого-нибудь "Вокзала на двоих", упомянутого Брессона или немых шедевров. Нет?)