arbeka

Простит утка, жена дипломата

((В продолжение темы,
как должна действовать правильная девушка.))

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Перевод "Made in Google"

помещение
Джудит, австралийский фотожурналист, покидает свою семью, чтобы освещать историю вьетнамских лодочников в малайзийском лагере беженцев. Там она знакомится с Мину, вьетнамской уличной проституткой, которая вышла замуж за дипломата, и вместе они пытаются привлечь внимание к ужасным условиям, в которых живут люди.
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Turtle Beach, also known as The Killing Beach, is a 1992 Australian film
Box office $778,535[1]
The Australian Film Finance Corporation invested $5,248,857 in the film.[5]

Threaded | Top-Level Comments Only

From:

belkafoto.livejournal.com

Production

Ann Turner was working for Roadshow when she was hired to adapt the novel, which she loved.[3] However she says the project soon became compromised:

When I first saw the film I thought it looked like the writer was on drugs or completely insane, because you could see there were two films working within the one film... There were a lot of different voices in terms of the finance-raising, there was American money, and the producers - many, plural - really had very different views of what the film should be. Greta Scacchi really liked the book and liked the script and fought for it. But during the process of developing the script, they brought in an American writer and it really changed. I was off directing Police Rescue at the time. Then the cast, when they were in Thailand, said they'd signed on the script that I'd written and wanted to change it back to that. There was something about the American script that was more like King Rat than Turtle Beach. So then I was flown out to Thailand to rewrite the rewrite and the film ended up actually being a combination of both.[3]

The film was financed in part by the people who had invested in Blood Oath, directed by Stephen Wallace. They were enthusiastic about that film and hired Wallace to direct. Wallace:

I loved the book and I really wanted to make the film. I think in the end the script really wasn't good enough and I had a terrible run-in with the producer on it. It was just a nightmare. I wanted to make a film about Asia again, because I thought Asia was misunderstood in Australia and I thought the more light we can shed on Asians, the better... But unfortunately in the film, it all went haywire ... The producers all wanted to make Pretty Woman. I said, "It's not Pretty Woman, it's a film about Asia." I had to fight to get an Indian to play the Indian; it was a struggle from start to finish. There was plenty of money, but I kept compromising on it. I kept compromising about the place where the beach was, about the roughness of the set. I wanted it really rough. Then there was this whole thing about the disco place, which was actually Matt Carroll's idea, something he'd seen in Thailand... Also the massacre on the beach. Everyone was worried, the massacre had to be built up, whereas the massacre was wrong - emotionally and morally wrong. All this was pushed and I felt I'd lost control of the film.[4]

The Australian Film Finance Corporation invested $5,248,857 in the film.[5]

Stephen Wallace finished the film and made his cut but then he was fired off the film. Extra scenes were shot:

I should have taken my name off it. I got advised by my agents not to, but I should have. I don't feel the film is mine. A lot of the shots are mine, but extra stuff was shot and my name is on it, so I've got to take responsibility for it. But it's the one film I've made that I feel ashamed of... it was Matt Carroll who made it.[4]