А вот

Aug. 2nd, 2021 01:01 pm
arbeka: (Default)
[personal profile] arbeka
А вот
Долгое время слышал от врачей:
Человек, в норме, здоров. Но, изредка болен.
.........
Истину реку вам:
Человек вечно чем-то болен! И лишь изредка, почему-то здоров.

Date: 2021-09-04 09:55 am (UTC)
From: [identity profile] belkafoto.livejournal.com
Mona Kuhn (born 1969 in São Paulo, Brazil) is a German-Brazilian contemporary photographer best known for her large-scale photographs of the human form and essence. An underlying current in Kuhn's work is her reflection on our longing for spiritual connection and solidarity. As a result, her approach is unusual in that she develops close relationships with her subjects, resulting in images of remarkable intimacy. Kuhn's work shows the human body in its natural state while simultaneously re-interpreting the nude as a contemporary canon of art. Her work often references classical themes, has been exhibited internationally, and is held in several collections including the J. Paul Getty Museum, The Los Angeles County Museum of Art, the Hammer Museum and the Pérez Art Museum Miami.

Born in São Paulo, Brazil to parents of German ancestry, Mona Kuhn lives and works in Los Angeles, United States.

Mona Kuhn began taking photographs at age 12, when her parents gave her a Kodak camera for her birthday.[1] Kuhn has attributed her interest to her early formative years:

“I didn’t grow up with cousins and I didn’t grow up with grandparents … so I think I always had, since I was a child, a slight inner need to bond or to create a small family. I think that the people that I photograph, if I look at all my series, were all people that could have been my extended family. That’s how I treat them. And that’s the real little seed that maybe comes from infancy."[2]

She moved to the United States in 1992 to attend Ohio State University and then furthered her studies at the San Francisco Art Institute, moving to San Francisco at the height of the Bay Area Figurative Movement.[3] Kuhn has noted that her artistic influences shift as she is always looking to what is next and eager to learn something new, but has said: "I learned the most by looking at Richard Diebenkorn's composition, Lucian Freud's relationship with models, Georgia O'Keeffe's subtleties and Lee Miller's courage."[4]

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