Третий лишний

[arbeka]

Вполне приличный итальянский реализм. И темы современные. Слегка пошаркали ножкой для зрителей.
Вполне забавен намек на классовое расслоение.

Убежище (Riparo) (2007)
https://www.youtube.com/watch?v=Ta8kS7ENq3c&t=655s

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Gary Walkow

[belkafoto.livejournal.com]

Gary's earliest dream, from age four, was that he was lying on an operating table with his head split open. Tangled strands of 8mm film were pouring out of his head. A doctor picked up a strand of film and held it to the light, it was a scene of little Gary running across the front yard.

Walkow's first film was a film version of Allen Ginsberg's "Howl" which he made at Bellaire High School. Walkow went to Wesleyan University, where he studied film with Jeanine Basinger. He did honors thesis research on the films of F.W. Murnau, with George Pratt at the George Eastman House, and in the archives of William K. Everson.

Walkow began his professional career as a film editor, working on industrial films in Houston, Texas. After a memorable but unsatisfying semester in the MFA Program at USC Film School, Walkow eked by as an editor in the low budget realms of Hollywood. Working for George Gale (who had edited Jean Renoir's The River), Walkow compiled nature footage bought at bargain basement prices into feature-length films for TV syndication at the rate of one feature a week. The company specialized in what Gale called "outdoor psychic mysteries." They were set outdoors because you could shoot without lighting.

Walkow spent an entire year working for Family Films, a company devoted to making Lutheran religious films. The twelve part "Life of Jesus" needed cleaner dialogue, so all of the dialogue was rerecorded, and Walkow had to cut in the new dialogue. This process was called looping, as sound loops were made of each line of dialogue and the actor then matched his performance to the loops. Walkow came to call this "looping for the lord."