arbeka: (Default)
[personal profile] arbeka
((40 летние сиськи почти первой свежести
"her breasts seem younger, with a "balance, paleness, and buoyancy"))
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Среди наиболее интересных и личных работ Гудридж есть миниатюрный портрет её собственной обнаженной груди, который называется «Раскрытая красота[en]» (англ. Beauty Revealed, 1828)

Сара Гудридж (англ. Sarah Goodridge, также известна как англ. Sarah Goodrich[5], 5 февраля 1788 — 28 декабря 1853) — американская художница, работавшая в жанре портретной миниатюры. Старшая сестра художницы Элизабет Гудридж.
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dok_zlo12 августа 2023, 22:00
Это американская художница Сара Гудридж, которая нарисовала портрет собственной груди и отправила его юристу и политику Дэниелу Вебстеру, он в то время как раз недавно овдовел.

Это считается самым ранним случаем отправки нюдса(?) в истории... Отношения у них потом так и не сложились. Но свои портреты он у неё заказывал.
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Description and context

Beauty Revealed is a self-portrait by Sarah Goodridge, depicting her bared breasts,[2] pink nipples,[1] and a beauty mark.[3] These are presented in a gradation of color, giving a three-dimensional effect.[1] Although Goodridge was aged forty when she painted this miniature, according to art critic Chris Packard her breasts seem younger, with a "balance, paleness, and buoyancy" which is imbued in part by the harmony of light, color, and balance.[1] The breasts are framed by a swirl of pale cloth, which in parts reflects the light.[1][3]

The 6.7-by-8-centimeter (2.6 by 3.1 in) painting is set in a case;[4] it had originally been installed on a paper backing which had the date "1828" on the reverse.[5] The work is a watercolor painting on ivory,[6] thin enough for light to shine through and thus allow the depicted breasts to "glow".[1] This medium was common for American miniatures,[7] but in this case also served as a simile for the flesh presented upon it.[3]

Beauty Revealed was completed during a period of popularity of portrait miniatures, a medium which had been introduced in the United States in the late 18th century. By the time Goodridge completed her self-portrait, miniatures were increasing in complexity and vibrance.[7] The Heilbrunn Timeline of Art History describes Beauty Revealed as a play on the eye miniatures which were then popular as tokens of affection in England and France, but not common in the United States.[6][8] Such miniatures allowed portraits of loved ones to be carried by their suitors without revealing the sitters' identities.[8]

Date: 2023-08-12 07:37 pm (UTC)
From: [identity profile] belkafoto.livejournal.com
Art historian Dale Johnson described Beauty Revealed as "strikingly realistic", demonstrative of Goodridge's ability to portray nuanced lights and shadows. She found the stippling and hatching used in creating the painting to be delicate.[8] Writing in Antiques in 2012, Randall L. Holton and Charles A. Gilday said that the painting continued to present a self that evokes a "frisson of erotic possibility".[9]

Packard wrote that Beauty Revealed served as a sort of visual synecdoche, representing the entirety of Goodridge through her breasts. As opposed to the "burdened" 1845 self-portrait and the non-eroticized one of 1830, he found Beauty Revealed to forefront Goodridge and her demand for attention. Arguing that the clothing surrounding her breasts served to indicate a performance (similar to the curtains of vaudeville), Packard described the viewer's eyes being focused on the breasts, while the rest of Goodridge's body was erased and abstracted.[1] This, he stated, challenged the assumptions and stereotypes regarding the demure, homebound 19th-century woman.[1]

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