Браун.

[arbeka]

Браун. Не Ева.

((Восторгов по поводу хватает. Заслуженных. Но вот, подумалось, за что же режиссер такую героиню замочил? Не за негра ли, трахнутого бутылкой?
Но в целом, для лохматого 1978, очень и очень неплохо.))
..............
"Я лишь скажу, что поражена образом главной героини. На мой взгляд, вы никогда не встретите женщину, более прекрасную и обладающую более сильным характером, чем Мария Браун."

"Замужество Марии Браун" https://kinogo2.by/23199-zamuzhestvo-marii-braun-1978-smotret-online-na-kinogo.html

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Fassbinder

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Ра́йнер Ве́рнер Фа́сбиндер (нем. Rainer Werner Fassbinder, 31 мая 1945, Бад-Вёрисхофен, Бавария — 10 июня 1982, Мюнхен) — немецкий кинорежиссёр, сценарист, актёр, драматург. Один из лидеров «нового немецкого кино».

Райнер Вернер Фасбиндер родился в Баварии 31 мая 1945 года в семье доктора медицины Гельмута Фасбиндера и его жены Лизелотты Эдер, переводчицы. В 1951 году после развода родителей Райнер остался с матерью, которая позднее под псевдонимом Лило Пемпайт или под собственным именем играла второстепенные роли во многих его фильмах[8].

сам Фасбиндер никогда не скрывал своей гомосексуальности (хотя и был какое-то время достаточно формально женат на Ингрид Кавен, одной из своих актрис).

Фасбиндер был абсолютным нонконформистом. За сочувствие к членам RAF был объявлен «симпатизантом», а «симпатизанты», от рядовых граждан до деятелей культуры с мировым именем (Генрих Бёлль, Гюнтер Грасс и др.) подвергались травле, запугиванию, лишению работы[11]. Фасбиндер вёл беспорядочный, сумасшедший образ жизни, подпитываемый наркотиками, и в то же время творил и жил на грани человеческих возможностей. Он умер от передозировки кокаина в возрасте 37 лет, повторив тем самым судьбу своего героя из фильма «Кулачное право свободы» (Faustrecht der Freiheit, 1975). За свою короткую жизнь он успел снять 43 фильма

Hanna Schygulla

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Ха́нна Шигу́лла (нем. Hanna Schygulla, род. 25 декабря 1943, Кёнигсхютте, Верхняя Силезия, Германия) — немецкая актриса и певица.

Ханна Шигулла родилась в семье лесоторговца. В 1945 году приехала с матерью в Мюнхен. В 1948 году её отец возвратился из плена. После окончания гимназии Ханна Шигулла ездила по обмену на один год в Париж. В 1964 году в Мюнхене изучала германистику и романистику, собиралась стать учительницей.

В 1966—1967 годах брала уроки актёрского мастерства в студии Фридля Леонгарда. В сентябре 1967 года познакомилась с Райнером Вернером Фасбиндером и пришла в «Театр действия». В июне 1968 года «Театр действия» был закрыт из-за несоблюдения техники противопожарной безопасности, — а по мнению актёров, по политическим причинам. Часть труппы организовала «Антитеатр».

В 1967—1969 годах играла во многих спектаклях Фасбиндера. В 1968 году состоялся её кинодебют в фильме Жана-Мари Штрауба «Жених, комедиантка и сутенёр». Снялась в двадцати трёх фильмах Фасбиндера.

С 1981 года проживает в Париже.

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Schygulla was born in Königshütte (now Chorzów, Poland) to German parents Antonie (née Mzyk) and Joseph Schygulla.[1] Both the names Schygulla (also spelled Szyguła) and Mzyk are of Polish/Silesian origin, indicating a mixed heritage and/or the process of teutonisation of Slavs as was very common in Silesia in the 19th century. Her father, a timber merchant by profession, was drafted as an infantryman in the German Army and was captured by American forces in Italy, subsequently being held as a prisoner of war until 1948. In 1945, Schygulla and her mother arrived as refugees in Munich, following the expulsion of the majority German-speaking population of Königshütte by Communist Poland.[1]

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Schygulla lebte von 1981 bis 2014 in ihrem Hauptwohnsitz in Paris. Sie hatte bis 1995 eine langjährige Beziehung mit dem französischen Drehbuchautor Jean-Claude Carrière, mit dem sie zusammenlebte. Seit Anfang der 1990er Jahre pendelte sie zwei Jahrzehnte lang zwischen Frankreich und Bayern, um die Pflege ihrer kranken Eltern sicherzustellen. Sie gab an, dass dies auch der Grund gewesen sei, warum sie weitgehend „aus dem Scheinwerferlicht“ getreten sei.[5]

In compliance with his mother's wishes

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Fassbinder was born in the small town of Bad Wörishofen on 31 May 1945.[2] He was born three weeks after US Army occupied the town and the unconditional surrender of Germany. The aftermath of World War II deeply marked his childhood and the lives of his family.[3] In compliance with his mother's wishes, Fassbinder later claimed he was born in 1946, to more clearly establish himself as a child of the post-war period; his real age was revealed shortly before his death.[4] He was the only child of Liselotte Pempeit (1922–93), a translator, and Helmut Fassbinder, a doctor who worked from the couple's apartment in Sendlinger Straße,[5] near Munich's red light district.[4][4][6] When he was three months old, he was left with a paternal uncle and aunt in the country, since his parents feared he would not survive the winter with them. He was a year old when he was returned to his parents in Munich.[4] Fassbinder's mother came from the Free City of Danzig (now Gdańsk, Poland), from which many Germans had fled following World War II. As a result, a number of her relatives came to live with them in Munich.

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Fassbinder had sexual relationships with both men and women. He rarely kept his professional and personal life separate and was known to cast family, friends and lovers in his films. Early in his career, he had a lasting, but fractured relationship with Irm Hermann, a former secretary whom he forced to become an actress.[81] Fassbinder usually cast her in unglamorous roles, most notably as the unfaithful wife in The Merchant of Four Seasons and the silent abused assistant in The Bitter Tears of Petra von Kant.

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Irm Hermann idolized him, but Fassbinder tormented and tortured her for over a decade.[82] This included domestic violence: "He couldn't conceive of my refusing him, and he tried everything. He almost beat me to death on the streets of Bochum ..."[83] In 1977, Hermann became romantically involved with another man and became pregnant by him. Fassbinder proposed to her and offered to adopt the child; she turned him down

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In 1969, while portraying the lead role in the TV film Baal under the direction of Volker Schlöndorff, Fassbinder met Günther Kaufmann, a black Bavarian actor who had a minor role in the film. Despite the fact that Kaufmann was married and had two children, Fassbinder fell madly in love with him. The two began a turbulent affair which ultimately affected the production of Baal. Fassbinder tried to buy Kaufmann's love by casting him in major roles in his films and buying him expensive gifts

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Kaufmann relished the attention and became more demanding. Fassbinder bought Kaufmann four Lamborghinis over the period of a year; Kauffmann wrecked one and sold the others if they failed to meet his expectations.[86] The relationship came to an end when Kaufmann became romantically involved with composer Peer Raben. After the end of their relationship, Fassbinder continued to cast Kaufmann in his films, albeit in minor roles.[87] Kaufmann appeared in fourteen of Fassbinder's films, with the lead role in Whity (1971).

Although he claimed to be opposed to matrimony as an institution, in 1970 Fassbinder married Ingrid Caven, an actress who regularly appeared in his films. Their wedding reception was recycled in the film he was making at that time, The American Soldier.[88] Their relationship of mutual admiration survived the complete failure of their two-year marriage. "Ours was a love story in spite of the marriage," Caven explained in an interview, adding about her former husband's sexuality: "Rainer was a homosexual who also needed a woman. It's that simple and that complex."[89] The three most important women of Fassbinder's life, Irm Hermann, Ingrid Caven and Juliane Lorenz, his last partner, were not disturbed by his homosexuality.[90]

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In 1971, Fassbinder began a relationship with El Hedi ben Salem, a Moroccan Berber who had left his wife and five children the previous year, after meeting him at a gay bathhouse in Paris.[87][91] Over the next three years, Salem appeared in several Fassbinder productions.

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Death

By the time he made his last film, Querelle (1982), Fassbinder was using drugs and alcohol as a way to cope with his unrelenting schedule[citation needed]. On the night of 9–10 June 1982, Wolf Gremm, director of the film Kamikaze 1989 (1982), which starred Fassbinder, was staying in his apartment.[108] Early that evening, Fassbinder retired to his bedroom. He was working on notes for a future film, Rosa L, based on the life of Polish-German revolutionary socialist Rosa Luxemburg. Fassbinder was watching television while reading when, shortly after 1 a.m., he received a phone call from his friend and assistant Harry Baer.[109] At 3:30 a.m, when Juliane Lorenz arrived home, she heard the noise of the television in Fassbinder's room, but she could not hear him snoring. Though not allowed to enter the room uninvited, she went in and discovered his lifeless body with a cigarette still between his lips.[108] A thin ribbon of blood trickled from one nostril.[110]

Fassbinder died from an overdose of cocaine[111] and barbiturates.[112] The notes for Rosa L were found next to his body.[109]